Delusions of Grandeur (Part 2)

PART 2: The Fresh Smell of Administrative Air

My delusions continue from Part 1 of this series, which provides teasers, spoilers, and other amazing ideas I have for creating my very own, not-another, space-based 4X game. Last time I outlined the big vision for my 4X game, Transcend, which is built around the notion of guiding your civilization to transcendence while avoiding any number of galactic threats that want to eat you and your citizenry for a midnight snack. I also talked about some specific design goals, around trying to eschew the usual 4X complexity for something built around simple numbers and a relatively small number of total turns. In other words, a more finely tuned game all about hard decisions and big consequences.

In this installment, I’ll be talking about a few core elements of the design related to the structure of your empire and its management.

This Thing Called Strategy

Geopolitical strategy, circa 1675

For the past few years, a question has been haunting my dreams: What is strategy? A narrower follow up question is: What makes a compelling strategy game?

One reason this question has been bothering me, particularly in terms of 4X or Civilization-style games, is that so often the gameplay does not feel like what strategy is or ought to be, at least for me. If the gameplay isn’t strategy, then what exactly is it? And if I’m not getting what I want out of a strategy game, then what in the heck do I really want?!

I have a number of pet theories floating around these troubling questions, which might help me work towards an answer. Fair warning though, much of this article will be spent in the realm of “pontification” or “theorycrafting.” Back in the old days, we called this “BSing.” You’ve been warned!

Ubiquitous Violence

My father passed away recently in a tragic accident - and so I’ve been thinking and reflecting.

My dad was a staunch supporter of non-violence in all aspects of his life. But despite this, while I was growing up he purchased a fair number of violent games upon my request - such as the First-Person Shooter (FPS) game Doom and its many followers and derivatives. At the same time, he always stressed the importance of separating reality from fiction. And while he allowed me to play these games, I knew he found them distasteful and the violence unnecessary - especially when there are so many other wonderful things one might explore instead. He was always looking for a game that emphasized discovery and mystery, or story and problem solving, or journeys and narratives. Anything other than yet more violent action for its own sake.
 

Smorgasboard 2015-16: What's Going On Edition

Hello fellow readers! It’s been a little time since posting, but I felt a year-end recap and look-a-head into 2016 was in order. Please bear with the Smorgasboard nature of this post, but do feel free to bounce around, sampling which ever delights strike your fancy.

Today’s Menu:
- Boardgames!
- Articles & contributions!
- Wot I’m Playing!
- Game design projects!

Reflecting on Star Wars VII *** SPOLIER ALERT ***

As a child of the 80's, the Star Wars original trilogy (OT) has always had a special place in my heart. I still have the theatrical release versions on VHS, and never cared for the "special edition" versions that George Lucas released later on. Nearly all of the additions undermined the charm and character of the theatrical versions (especially Darth Vader yelling "Noo….." at the end of Return of the Jedi. Seriously?). I went out of my way to track down the "de-specialized" fan-version of the OT on the web, quietly waiting for the day when Disney decides to remaster and release the theatrical versions of the film (fingers crossed).

As pretentious as that sounds, I didn't however hate the prequel trilogy. Hell, even Jar Jar Binks kinda grew on me. Granted, there was plenty to dislike about the prequels: the lackluster acting and script, the slightly overwrought plot, the awkward moments. Things were clunky, but overall it felt like what Star Wars should look and feel like before the fall of the Republic. It worked well enough for me.

So how about the Force Awakens?

Prepare to be Assimilated: The Roguelike-ification of All Games

Note: This article is cross-posted on eXplorminate. If you enjoy this article, please check out eXplorminate's coverage of 4X and strategy games. A gentle reminder that there is also a dedicated site, off-BGG, for Big Game Theory! ~ Cheers!

Karen broke her leg!? Oh snap!!

The world of roguelikes and roguelike-likes (i.e. games with a selection of roguelike elements) is on the rise. In some ways, I wonder whether this is driven by the Nintendo-generation’s (or earlier) nostalgia for games that were f-ing hard. The kind of hard that made you throw the controller across the room. The kind of hard that didn’t have a save feature, let alone autosaves. You know what I mean. These were the games you had to leave paused with the TV off, crossing your fingers that the power light didn’t catch mommy’s eye in the dark of the night, prompting her to shut the thing off and ruin that flawless run. Those were the days; games were brutal and our perseverance was put to the test.

Delusions of Grandeur (Part 1)

Preamble: A Fool’s Quest

It may come as no surprise that I have aspirations to design a 4X game. I’m sure many of you reading the headline have entertained such thoughts as well. And while I have designed and published a 4X board game (and am no stranger to the design process) my spider-sense tells me that designing a 4X video game is like navigating a minefield. There is so much that can blow up. We also appear to be entering a heyday for 4X games, which begs the question “do we need yet another 4X game rampaging through the market?” Probably not. But that isn’t going to stop me from dreaming and putting forward a vision for what I feel would be something unique and different.

What's Going On!? The Game of Too Many Excuses

The last two months have been crazy. But it seems like the last two months are always crazy, so I suppose that’s no excuse for having not updated the blog. And despite my effort to make the What’s Going On!? series a more regular thing - it seems I haven’t. But you’ll all forgive me I’m sure, because now, ladies and gentlemen, it is time for another What’s Going On!? Roll the excuses ...

A Genomic Framework for Game Analysis

Theoretical frameworks are conceptual models or tools that help us organize our thinking and enhance our understanding of how different concepts interrelate. Much of Big Game Theory! has focused on developing frameworks to help make sense of games. This effort has been directed towards developing language, terminology and associated concepts to support both game design and game analysis. Whether you are a designer, a critic, or a player, these frameworks can help us articulate an idea, dissect a reaction or "feeling" we have, and be more aware of how games operate "under the hood."

One of my larger ambitions has been towards developing a "Science of Board Games." This post is the latest installment in this line of thinking, expanded to include all games (video games, tabletop games, etc.), and is an effort to unify different frameworks that have been presented by myself and others over the years. A shortcoming of many earlier frameworks is that, while they are useful, they are also not terribly specific. I’m interested in looking at a larger range of terms we use to discuss games and see how all of these terms might integrate into a more cohesive and unified model for understanding games.

These Halls I Walked: An Homage to Doom and Quake

Over the past few weeks I’ve been going through various computer archives and backing up old decaying data onto a shiney new 2TB drive. Along the way I’ve unearthed various troves of lost treasure, scattered like leaves amidst small piles of portable drives and burned CDs. Among these were files for Doom and Quake, two legendary games from id Software, and which were among the first to crawl out of the primordial ooze of the person shooter (FPS) genre. Indeed, one might argue, they helped make the ooze in the first place.

I looked up the dates for when these games were first released: Doom (1993), Doom II (1994), Quake (1996), Quake 2 (1997), Quake 3: Arena (1999). I was shocked, and I’m going to spill my age here, but I was 12 when Doom was released. I didn’t start playing the Doom games until after Doom II was released, so in actually I was fourteen-ish when these games panned into my field of view. I was sixteen when the Quake launched, and I still remember an all-night LAN party my friends and I had after graduating high-school in 1999, the year Quake 3 was released.